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EVEN GIVEN THE FACT THAT IT'S CLOSE TO IMPOSSIBLE TO GET INDEPENDENT (OR EVEN STUDIO) FINANCING FOR A FIRST-TIME FILM THESE DAYS, I'D CONSIDER YOUR QUEST AS PRETTY CLOSE TO TOTALLY IMPOSSIBLE. OF COURSE IT DEPENDS: ARE YOU LOOKING FOR $100,000 OR $10,000,000? AND WHO'S IN IT? AND WHAT'S THE FILM ABOUT? WHAT'S THE FOREIGN POTENTIAL? ETC. ETC. GENERALLY, IT'S EASIER WITH DISTRIBUTION, BUT THAT'S A CATCH-22, TOO: CAN'T GET THE STAR WITHOUT AN OFFER; CAN'T GET THE MONEY WITHOUT A STAR. DON'T WORRY ABOUT "STUDIO INTERFERENCE": GET THE MONEY ANY WAY YOU CAN.
was said tbill 1 month, 3 weeks ago
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Hey Tony!!! How does a first time director (Complete unknown) access and build private risk capital to fund his film vs. finding a distribution contract or studio funding? My fear is studio interference in the creative process. Thanks Tony H
was said anhfilms 2 months, 2 days ago
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Hi Tony, Thank you for your book. The inserts (apart from the glossary) are very nice and set your book apart from David Knox's Strike the Baby and Kill the Blonde.
was said bonazaz 4 months ago
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What is the current market for a feature length documentary?
was said gingerw 4 months, 3 weeks, 4 days ago
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